gullindagan: (Default)
In a previous thread, a commenter (shout out to JP again!) brought up the idea of Germanic Soul Lore in relation to the Planes of Western Occultism. According to traditional occultism, which I have received from JMG and Dion Fortune, we have roughly 5 planes with corresponding bodies. The physical, etheric, astral, mental and spiritual.  The physical plane is the plane of, well, the physical body... The etheric is the plane of subtle energy, like "chi". You can feel the etheric body slightly move out of synch with the physical when you go "wheee" over a quick hill in a car. Also, this seems to be the body that survives for a little while after death, but which vampires keep alive through etheric feeding. This is also the "etheric double" which can bilocate, or which can maybe go into battle as a wolf or a bear... The "astral" plane is literally the plane of the Stars, and is the plane of fate and karma as well as images, thoughts and feelings. This is the plane we enter while dreaming, while scrying, thinking or imagining. The "mental" plane is the plane of Meaning. We are just now developing the mental body, we only have a "mental sheath". Above, or behind, within, or otherwise past the mental plane is the "spiritual plane". This is the realm of the spiritual forces which we can only comprehend through the astral and the mental planes, but cannot perceive directly from our current stage. However, it is my understanding that the "divine spark" which is actually the core, or essence of our being, "exists" (the spiritual plane is ineffable, and "exists" isn't really the right word, but there is no right word) on the spiritual plane. The way that I see it, one of the main goals of spiritual work is to develop the lower bodies to the point where the divine spark and the ego are in conscious relation. This work can be helped along by guiding spirits, such as the Holy Guardian Angel, Angel of the Nativity, or other such entities.

The ancient Germanic peoples also had a complicated understanding of what makes up an "individual" (not so unable-to-be-divided after all, eh?) From what I understand about that complex, which I have received mainly from Flowers/Thorsson,  there are multiple bodies that don't exactly correspond to the occult "planes". There the "lyke" or "lich" which does pretty much correspond to the physical body exactly. The "hyde" is the etheric energy, the "ond" (the gift given by Odin in the Voluspa, which means "breath of life") I would also definitely place in the "etheric" plane, but it is in a way connected directly to the Spiritual.  The word "spirit" comes from the Latin for "breath", and I see "Ond" as basically the same as the Hindu "prana." The "hugh" or "hugr" and myne or "minni", or, thought and memory (the same as "Huginn" and "Muninn") to me are two parts of the "astral" body. The "wode" is inspiration, frenzy, and I might consider this a part that reaches between the Astral and Mental, maybe something like the "mental sheath." I think the "Fetch/Fylgia" is a guardian spirit, like the HGA, "Hamingja" is basically "personal power" or "charisma" or "personal magnatism" and "Wyrd/Orlog" is obviously related to "Fate", "Destiny" and "Karma" - though that will have to be another post.

In general, I am still trying to fit these together, but they are like two different artists, one using watercolors and one using oil paint, to paint a portrait. I'd be quite happy to discuss these ideas further in the comments and in future posts. It seems like the Germanic peoples had a much more developed sense of the etheric realms and etheric/spiritual tech than we do now. It might also be interesting to compare Maria Kvilhaug's idea of the initiations hidden in the Norse myths, where the hero faces the internal, female, sun-like higher self, to the idea of the Divine Spark. That might merit it's own post though...

Also, I found this explanation of the Old Saxon ideas of the soul-complex which might be interesting to folks: https://www.youtube.com/watch?v=23aaWeTwnuU
gullindagan: (Default)
I am still offering free weekly rune readings. This helps me learn how to divine better, so all the payment I ask is an update on how the reading fit in with your reality!  I usually do a 3 stave reading, but have a 4 stave reading for some specific questions, and may experiment with other readings styles too.

Thank you!
gullindagan: (Default)
I am still offering free weekly rune readings. This helps me learn how to divine better, so all the payment I ask is an update on how the reading fit in with your reality!  I usually do a 3 stave reading, but have a 4 stave reading for some specific questions, and may experiment with other readings styles too.

Thank you!
gullindagan: (Default)
So how does Magic actually work again? Well, in ALU:An Advanced Guide to Operative Runology, Thorsson quotes the scholar Ronald Grambo  as saying that "the first step in understanding how a magical act works is the comprehension of the "frame of reference" in which the act takes place." Ok, so there is a whole cultural context that has to be understood in order to even comprehend what actually happens when somebody does "magic", and perhaps, the cultural context both informs and limits the effects of the magical act. Maybe that can explain the legends of magicians from previous ages who did things we can only dream of. Of course, to somebody who is not an inmate of industrial civilization, I'm sure much of what we take for granted would be considered "magic." Thorsson states explicitly that "For an operation to work, it must work within a frame of reference." Whether or not he is right is one question, but this thread leads me to a concept coined by the great 20th century occultist/prankster Robert Anton Wilson: "Reality tunnel," which, according to Wikipedia means "a theory that, with a subconscious set of mental filters formed from beliefs and experiences, every individual interprets the same world differently"

This would imply that one's world view impacts the way that one can affect the world magically. The modern atheist-materialist thus can't even imagine the things that magically literate inmates of the same culture can do; he can only imagine Harry Potter. Of course, since we all inhabit the same world, even though we all experience it differently, that materialist can still be affected by magic, and according to folks like JMG, the ones who don't believe in magic (or have an unrealistic view of it) are even more easily influenced by it.

Thorsson continues his thought by saying that "Our major endeavor in current operative runology is to restore our lost frame of reference, which will in turn cause our operations to be better. Our ancestors lived in a culture with a high level of cultural context--they spoke a Germanic language, worshiped Germanic gods... We on the other hand, live in a society with a relatively low level of cultural context. We speak a Germanic language, but one that has been hybridized with French, Latin, and Greek elements; the majority of the people worship a foreign god; and our aesthetic universe is eclectic, if not chaotic, in the extreme." 

I see what he's saying, but here is the part where we diverge. I like the eclecticity of our world, and I think that it's a possible source of great strength, if one can get over the feelings of overwhelm and nihilism that is... the fact is we don't really know that much about the magic the old Germanic tribes performed, but we do know that the Roman Christians very systematically converted them. Sometimes by massacre, as with Charlemagne, but more often by having more powerful magic, and using the cultural capital of "Romanitas." The systems of magic from the Mediterranean are powerful, even the fragments that we have. Just Astrology alone is way more powerful of a tool than anything we know of from the North. So this is one of the reasons that I am excited about this Heathen Golden Dawn project, and think that it's a project that the Wandering Wise One approves of. Why would we not seek far and wide for the greatest magic to integrate into our kit?

Well, it can be easy to get overwhelmed, to stake out in too many directions, get nowhere except diluted, and never hit water. So this is where I agree with Thorsson. By grounding ourselves deeply in a particular mythos, and I mean deeply, we can cultivate a frame of reference that we can then integrate new skills and tools into.

For instance, the concept of "the planes". This tool has been very helpful for me, especially in my goal of personally integrating the Northern and Western traditions. We have the Material, the Etheric, the Astral, the Mental and the Spiritual. Divinity, which is unknowable to a human, resides on the highest plane (but also, imo, in everything) The human mostly exists in the Material, semi-consciously on the Etheric and the Astral (if you can watch your thoughts, then you're working more consciously on the Astral), but are only at an early stage of developing a Mental body. The Astral and the Mental planes are then the interface between the Human world and the Divine world, or a Rainbow Bridge between Midgard and Asgard... The god forms that exist as images are a way for both the human to reach up towards the divine, and for the divine to reach down to the human. By immersing ourselves in the myths, by making offerings to the gods, by making images of the gods, by praying and listening, we open that channel. We cultivate a frame of reference.
 



gullindagan: (Default)
I'd like to up my runic divination game, so I am now offering free weekly divinations! So far I've mostly just divined for myself, and just use a simple 3 rune reading. I've been doing it for a number of years now, and reading for other people seems like the natural next step. As I'm just starting this, the only payment that I'll ask is for a report of how the reading corresponded to the real life situations.






gullindagan: (Default)
As a preface, I'd like to state that these posts are a way for me to understand my own thinking better. To take my readings, meditations and experiences and order them, so that I might see more clearly what is really going on. In past posts and in future posts, I deal directly with the content that I'm absorbing, wrestling with authors to separate the gold from the dross. Words seem to me to be a very brute way of understanding something, they are both blunt and slippery. In a way, we are all barbarians to our inner selves, muttering "bar bar bar" to each other and pointing at rocks, pointing at the sun, and misunderstanding most things any more abstract. Definitions are slippery, and meanings are constantly shifting, and I am constantly learning. So this essay is a trial, an attempt, an assail at meaning. And I am quite positive that my understanding will change as I grow and learn further. But, the actual action of me putting these thoughts to screen is a part of that growing and learning.

So what is a "heathen"? Or, what does it mean to me? It seems like everybody who calls themselves "heathen", or, is called "heathen" has a slightly different take on it. There are Norse Pagans, Heathens, Odinists, Asatru, Vanatru, even Rokkatru, those who follow the "Northern Tradition," hard polytheists, soft polytheists, pantheists, etc etc. For me, "heathen" also means different things. One definition, that probably has the best tension between general and specific, is: "somebody who follows the old gods of Northern Europe." So does this mean that they should be followed exclusively? Not necessarily. Certainly, many folks will just honor one pantheon, or set of pantheons (Aesir and Vanir for instance.) But I see polytheism as an inherent part of Heathenry, and if one makes offerings to both Norse gods and Hindu gods, to me, that one is Heathen. And also maybe Hindu! There are records of historical heathens worshiping both the old gods and Jesus, for instance King Raedwald of East Anglia who kept an alter to Jesus in his pagan temple.

As a word, "heathen" means "dweller of the heath" or, the wilderness, the country. "Pagan" means something similar. but the people of Northern Europe didn't even have a name for their "religion" before the Christians started calling them heathens and pagans. Christianity was largely a urban phenomenon, and country people clung to their old ways for many centuries after they were nominally "christian." Apparently, they would even pray to gods though the image of a saint. For instance, Thor was prayed and petitioned to under the name of St. Olaf! It's rather interesting that now Christianity is mostly followed in the hinterlands, but I guess that's how things go.

I, personally, as somebody who lives in the country and comes from country folk (though I was educated in a small city) like that aspect of the term. I identify with the woods, the mountains, the streams and lakes. To me, this is in many ways just as important as honoring the deities. The spirits of the land, the ancestors, the elves, these are all important spirits to come into right relationship with.

Maria Kvilhaug has an essay about this topic too, and she brings up the point that the Norse word for heathen is related to the word for "shining" and "enlightenment". The name of the volva from the Voluspa, Heidr, comes from that same root word. The shining heath, the bright clearing in the woods. the brilliant sky, the light of spiritual illumination. I think this is a valid way of using meaning, and I like the way this meaning stretches the possibilities of the term.

So, as somebody who honors the old gods, revels in the wild, works to enter right relationship with the spirits of the land, and seeks after spiritual illumination, "heathen" is a fine word to label me, even if I don't really like to be labelled anything.
gullindagan: (Default)
A reader, (shoutout to JP!) asked that I write " a post where you discuss in more depth your preferred sources for magic and religion, especially the Germanic ones." so, here goes.

Firstly, I'd like to state that I am at least as much of an "occultist" as I am a "heathen", though I will write a future post on what "heathenry" means to me. I am also a bit idiosyncratic in general.  I have tried multiple paths over my years seeking Beauty, Power, Wisdom, and Truth, and have learned from each of them. This mixture of heathenry and Golden Dawn magic that I am currently working on seems to finally fit just right, at least for now (though I am fully committed to mastering this system before I move onto anything else anyway.)

In regards to magic in general, John Michael Greer is my main go to. I've read a lot of his books, and many of the other books on magic that I've read have been recommended by him. Dion Fortune is big for me, I've read almost all of her books (maybe 75%). I've also read a wide variety of other authors, including folks like Israel Regardie, Mark Stavish, Christopher Warnock, Gordon White, R.J. Stewart, Jason Miller, Franz Hartmann, Mouni Sadhu, as well as classics like Levi, Ficino, Picatrix, Agrippa, etc and many more, but JMG and Dion Fortune have been the ones I've dived the furthest into. I've also listened in depth to many podcasts, including Glitch Bottle, Rune Soup, The Secret History of Western Esotericism, Plant Cunning Podcast, and many others.

As with most things, my style of learning is to take in a wide swath, going deep into what interests me the most, and synthesizing up my own mind by taking into account all the information, weighed against my own experience and ideas.

With Germanic religion and magic, this is essential. There really isn't that much known about it, so there are a lot of opinions. I have read a lot of Edred Thorsson/Stephen Flowers, as well as books by Maria Kvilhaug, Nigel Pennick, Thomas Karlssson,  Alaric Albertson, Diana Paxson, Stephen Pollington, Galina Krasskova and Raven Kaldera. I've also watched a lot of Jackson Crawford's youtube videos and have a translation of his. Now this is just a fraction of the authors who have written on the subject, and if there are books that any of you dear readers have found especially useful, please let me know!

The main thing though, is to read the primary sources. I like to read multiple translations of the eddas and look at the actual old Norse and see what the words are signifying. Reading and meditating on the eddas is essential to understanding them, and to getting the mythic framework deep into the subconscious. Same thing with the runes. Meditating on the runes and learning the rune poems is essential. The sagas, Tacitus, etc, are also important to read, as well as a general reading of history, especially the time period from the fall of the western Roman empire til the high middle ages. In this regard, Pagan Europe by Nigel Pennick and Prudence Jones is good, so is The Barbarian Conversion by Richard Fletcher, as well as The Last Apocalypse: Europe at the year 1000 A.D. by James Reston.

In regards to my opinions of the Germanic magicians that I've listed, none of them do I agree with 100%. But then again, there aren't many people who I agree with that much. Reading all of them as foils against each other, getting rid of the dross and keeping the gold has been a good strategy. That being said, Thorsson/Flowers is a very competent, well educated, and successful mage in any regard, let alone in the Germanic/Heathen milieu. His book Futhark was my first introduction to the world of Heathenry and Germanic magic, and it was a good intro. His book ALU: An Advanced Guide to Operative Runology is likewise a very solid advanced book. Some of his others are hit or miss, and he has some obvious problems (I'm just not into satanism,setianism, the Left Hand Path or Traditionalism... very meh to me) but he's the standard that I compare other Germanic occultists to. I also really liked Maria Kvilaug's Seed of Yggdrasil. It's big, sprawling, large, not well edited, and it kinda seems like she wrote half of it on mushrooms, but I really did love it and it gives a very interesting perspective on the myths from somebody who was raised with them and studied them at an advanced academic level.

In regards to religion, books, blogs and videos by Galina Krasskova and Raven Kaldera have been very helpful, but again, I take each of them with several grains of salt.

Also, Jackson Crawford is about the furthest thing from an occultist that you can get, but that's kinda nice, and it's nice to compare things to his perspective.

All in all, I'm basically using a framework that I developed by reading Greer, Fortune, bits from Thorsson, and then going directly to the myths and other primary material.


Hope that helps, and if anybody has any other books they think would be useful for me to read, please let me know! And of course I'm down to continue this conversation in the comments and in future blog posts if you want clarification or there's a fun tangent to explore.



gullindagan: (Default)
So far in our exploration of magic we have looked at power, and wisdom. The addition of beauty turns this tense binary into a much more pleasant ternary. For without beauty, what's the point of power and wisdom? Beauty is elegance, poise, feeling... it is the 'art' in the "art and science of causing change in accordance with will." You can make a ritual using words of power and the naked  reason of the intellect, but beauty is what gives the ritual it's real power; there is a world of difference between reciting a ritual by rote, and performing it with feeling. As Ross Nichols says "ritual is poetry in the world of acts."  To me, poetry is what happens when words are put together in a beautiful, condensed way so that meaning is multiplied on many levels. To Wordsworth, "poetry is the spontaneous overflow of powerful feelings" - this is the ritual that finally has power because the magician has finally tapped into the sphere of Netzach. Poetry is elegant language. Language where form and function are unified in pleasing sounds. A ritual makes use of sound, imagery, movement and emotion, and when these all interrelate in elegance, the ritual reverberates through space, time, and the psyche in the same way that a word of power reverberates through a living body when vibrated correctly.

So what is beauty again? Wikipedia says "Beauty is commonly described as a feature of objects that makes these objects pleasurable to perceive." Oxford "a combination of qualities, such as shape, color, or form, that pleases the aesthetic senses, especially the sight." So, images that elicit pleasure...

Beauty is, of course, subjective, but to me it is that feeling of admiration, of pleasure induced by the form of an object of consciousness. Order has a relationship with beauty, symmetry has a relationship with beauty, but there is also beauty in the "wabi-sabi" of something just off, or of a wild mountain blooming in springtime. Since beauty is subjective, of course it is affected by each individual's programming, but it seems that there are also many things that humans of all cultures find beautiful. Who doesn't love a sunset full of pinks, purples, oranges and yellows?  Maybe beauty has something to do with feeling connected to something larger, of being part of a greater whole, despite the transitory nature of experience?

What is essential to the experience of beauty is the feeling that is generated. That feeling of pleasure connects one to a higher sphere. In the cabala, Netzach is the sphere of emotion, but Tiphareth is the sphere of Beauty. By feeling that beauty, we connect through the realm of images (Yesod) to the realm of feeling (Netzach), to Tiphareth (and maybe just maybe, from Tiphareth, straight to Kether.)

In magic, images are of utmost importance, and the beauty of the image is what allows us the channel to the divine power. Look at John Dee's Monas Hieroglyphica... there's just something supremely pleasurable about it to me. I bet when Dee did all the intellectual work of putting the symbols together, and then he actually looked at the image, he was stunned by the sight. Of course, we'll never know, but I certainly was when I first laid eyes upon it. One could say the same about the hexafoil, or many bind runes, staves, or sigils.

So, when practicing the art and science of magic, do not neglect beauty. It is wise to make rituals and images elegantly, so that they are efficient and beautiful. It also makes the workings that much more powerful. I am the type that is much motivated by beauty. It, in many ways, is the impetus, the form, and the outcome of magic. But when I search inwardly for the feeling that beauty evokes, it is at once tragic and transcendent. More could be said, but maybe not yet. What do you find beautiful? What does beauty mean in your experience?Monas Hieroglyphica


gullindagan: (Default)
In order to become a Magician, one must at least try to understand what "magic" is. We are not making up "magic" out of whole cloth, but are given a tapestry woven by those Weird Sisters with which we might decipher, and learn, what "magic" means. "Meaning" itself is a tapestry, and is part of the tapestry; nothing means anything outside of it's relationship to everything else, at least, nothing meaningful . So we look to what has come before to understand the present and the future, and pull at golden threads till the treasure is revealed. Let's look at some definitions.

John Michael Greer often recites the definition given by Dion Fortune when asked what magic is. "Magic is the art and science of causing change in consciousness in accordance with the will." This is a riff on the definition of magic given by her elder contemporary, Aleister Crowley: " Magick is the Science and Art of causing Change to occur in conformity with Will"... as you can plainly see, Fortune altered her definition to emphasize that part about it changing "consciousness" in accordance with will. This makes it a little more specific than Crowley's definition, but it also makes it more accessible to a modern, materialistic, post-Freudian society while also keeping the back door open to Mystery. Yes, the mass psychological spells of advertising and propaganda are magic. So is psychotherapy! And New Thought! Since your subjective experience of the world is malleable, by changing your consciousness, you can literally change your life!

But, if everything is Consciousness, as many sages say, then what can't magic do?

Edred Thorsson/Stephen Flowers, in his book ALU: An Advanced Guide to Operative Runology defines magic as "a technique by which the human being is able, by the power of volition expressed through symbols, to influence events in subjective and/or objective reality." Now Thorsson/Flowers is known mainly for his work with Runes, which is a magical language; they are symbols used to express the will of the Magician, thus affecting the change. So he's a bit focused on the symbolic side. Isn't there more to magic than manipulating symbols? 

Let's look at the main toolkit of the Golden Dawn magician: rituals. These also are constructed from symbols. The pentagrams, the divine names, the movements, all of these have meaning and that's the point. By repeating these rituals, you empower them with meaning, and you start affecting consciousness. Here it might be useful to remember a famous phrase from the psychoanalyst Jacque Lacan "The unconscious is structured like a language" Hmmm...

This still, seems rather limiting. Isn't there anything outside of language/symbols/meaning? Sure, lots. But how can you make sense of or describe "it"? In one way, this is what I see as the goal of the true Magician. To master their own consciousness, and to transcend it, or as JMG might say, to build the Mental body. The Spiritual realm is higher than the Mind realm though, and by connecting with the Divine, through symbols, one can connect to currents of power that are much farther beyond the human ken.

Most of the time, magic is about changing things in the world, look at all the folk magic traditions. Getting a lover, getting a job, healing illness, etc... In common terms, magic is about power. This is why the powerless look to magic, and why the powerful have their own kind to keep them in power. But power is worse than useless without wisdom. Without wisdom, power can actually be quite dangerous. Magic can rebound in unanticipated ways, can send the magician into spirals of malaise, can lead the one who wants to become more powerful into becoming a slave; to malicious spirits, to their own  fears and desires, or to ignorance and senility. Good thing that
because magic is an art and science that takes discipline to master it can be rather hard to wield magic effectively without wisdom. You must master "concentration, visualization, and memorization" as Thorsson/Flowers writes in his book Icelandic Magic: Practical Secrets of the Northern Grimoires.  There are those though with inborn gifts, but I have heard as many stories of these souls burning out as becoming great Magicians.

This is why initiation is essential. Initiation aligns the magician with the divine forces of order in the universe, and helps the aspirant become more divine themselves.  As Thorsson/Flowers says in Icelandic Magic, "Most of magical effort should be spent in gaining knowledge, wisdom and self-transformation. Most of your woes will be healed when this process is successful." This is something that I have found to be very true. Often times, just by focusing on my own transformation, the problems I have in the world take care of themselves. This is different than the "spiritual bypassing" that one sees so often in spiritual circles, where people escape the problems in their lives by chanting mantras or practicing mind-numbing kinds of meditation, or doing lots and lots of ayahuasca. In self-transformation you must confront your problems head on as part of your process of initiation. Often this can happen by such mundane pursuits as journaling, inquiring into your motivations, intentions, and trauma, or just feeling the feelings that come up and acknowledging them. This can also take the form of spiritual retreats, theurgic ritual, meditation, and scrying. But by developing these skills: of discipline, concentration, visualization, and self-knowledge, the problems of the world become much easier to deal with.

Of course, there may be still things that require magical action to affect. And by using that power, initiation is also furthered.

What does magic mean to you?


gullindagan: (Default)
Hello, this dreamwidth blog will be a record of my work on the Heathen Golden Dawn system, as well as some musings on occultism, heathenry, and related topics.
gullindagan: (Default)
Opening the Temple

First, stand at the west side of the altar, facing east. Raise your right hand, palm forward, to salute the divine powers you will summon during the ritual, and say, “In the name of the Aesir and Vanir, I prepare to open this temple.”

Second, perform the complete Lesser Invoking Ritual of the Pentagram to call magical energies into the space.

Third, standing at the west of the altar, facing east, pick up the vessel of water in both hands and raise it up. Say: “Let this temple and all within it be purified with the blood of Ymir.” Go to the east, dip the fingers of one hand into the water, and flick droplets of water in the sign of the Hammer, using three motions, to the east. Go around to the south, and do the same thing; repeat the same action in the west and the north. Return to the east, face east, lift up the vessel of water in both hands, and say: “The temple is purified.” Then go back to the west of the altar and return the vessel of water to its place.

Fourth, standing at the west of the altar facing east, pick up the incense—if you are burning stick incense, just the stick is fine; if you are using cone or loose incense, lift up the burner in both hands. Say, “Let this temple and all within it be consecrated by the sparks of Muspell.” Go to the east and with one hand, draw the sign of the Hammer in smoke to the east. Go around to the south, and do the same thing; repeat the same action in the west and the north. Return to the east, face east, lift up the incense in both hands, and say: “The temple is consecrated.” Then go back to the west of the altar and return the incense to its place.

Fifth, starting from the west of the altar, walk clockwise in a circle around the altar, passing the east three times. Each time you pass the east, bow your head in respect. This is the ancient and very widespread Pagan rite of circumambulation. As you walk, imagine your movements creating a whirlpool of energy that draws in magical power from the far reaches of the universe to your magical temple. When you have passed the east three times, circle back to the west of the altar and face east.

Sixth, spread your arms wide , so your body looks like the rune Elhaz, and say, “Aesir and Vanir, holy gods, I ask you to bless and consecrate this temple of high magic, and aid me with your power in all the work I perform herein.” Pause for a time, and concentrate on sensing your patron deity’s presence and power surrounding you.

Seventh, still standing at the west of the altar facing east, raise your right hand again, palm forward, and say, “In the name of the Aesir and Vanir, and in the presence of all the gods and goddesses, I proclaim this temple duly open.” This completes the ritual.

Closing the Temple:

First, standing at the west of the altar, facing east, pick up the vessel of water in both hands and raise it up. Say: “Let this temple and all within it be purified with the blood of Ymir.” Repeat the process of purifying the temple with water, exactly as you did in the third step of the opening ritual. Then go back to the west of the altar and return the vessel of water to its place.

Second, standing at the west of the altar facing east, pick up the incense and say, “Let this temple and all within it be consecrated by the sparks of Muspell.” Repeat the process of consecrating the temple with fire, exactly as you did in the fourth step of the opening ritual. Then go back to the west of the altar and return the incense to its place.

Third, starting from the west of the altar, walk counterclockwise in a circle around the altar, passing the east three times. Each time you pass the east, bow your head in respect. As you walk, imagine your movements dispersing the whirlpool of energy you created earlier and sending the intention of your working out into the universe to accomplish your will. When you have passed the east three times, circle back to the west of the altar and face east.

Fourth, spread your arms wide so your body looks like the rune Elhaz and say, “ In the name of the Aesir and Vanir, I set free any spirits who may have been imprisoned by this ceremony. Depart unto your rightful habitations in peace, and peace be between us.” Pause for a moment, and then perform the complete Lesser Banishing Ritual of the Pentagram.

Fifth, standing at the west of the altar facing east, raise your right hand again, palm forward, and say, “In the name of Aesir and Vanir, and in the presence of all the gods and goddesses, I proclaim this temple duly closed.” This completes the ritual.
Heathen Temple

Profile

gullindagan: (Default)
gullindagan

June 2024

S M T W T F S
      1
2345678
9101112131415
16171819202122
23 242526272829
30      

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 7th, 2025 08:22 am
Powered by Dreamwidth Studios